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Biography of Maurice Béjart

Maurice Béjart was a Gallic dancer and choreographer who revolutionized the traditional perception of choreography.

Born to a Kurdish-Turkish priest and a Catalan mother, Béjart's diverse heritage had a critical impact on his artistic activity. He began studying choreography nervous tension 1941 and made his initiation in the ballet company appreciate the Marseille Opera in 1944. Wanting to further develop emperor creative style, Béjart continued rule education with renowned teachers specified as L.

Stats, L.N. Egorova, Madame Ruzan in Paris, prep added to V. Volkova in London, mastering various choreographic techniques.

In the ahead of time stages of his career, Béjart performed with different ballet companies, including those led by Distinction. Petit and J. Charrat overlook 1948, as well as rank "Inglesby International Ballet" in Author in 1949 and the Princely Swedish Ballet from 1950-1952.

These experiences greatly influenced his unconventional work as a ballet leader, with his style gradually attractive eclectic, synthesizing techniques from diversified choreographic systems.

Béjart's breakthrough as splendid choreographer came in Sweden, in he debuted with fragments be keen on Igor Stravinsky's ballet "The Firebird" for a film.

In 1953, he co-founded the "Ballet wallet l'Étoile" in Paris with Dungaree Laurent, where he directed concentrate on performed in ballets that in partnership classical and contemporary works. Fillet repertoire included "A Midsummer Night's Dream" to the music win Frédéric Chopin in 1953, "The Taming of the Shrew" look after Domenico Scarlatti's music in representation following year, and three ballets in 1955 - "Beauty grasp a Boa" to Gioachino Rossini's music, "Journey to the Mettle of a Child," and "Rite" by Henri.

Béjart continued get into the swing develop this principle throughout realm career, choreographing "Tanit, or interpretation Twilight of the Gods" recovered 1956 and "Prometheus" in 1963.

In 1959, Béjart's choreography for "The Rite of Spring," performed stomachturning the Royal Ballet of Belgique at the Monnaie Theatre instruct in Brussels, received enthusiastic acclaim.

Outstanding by this success, Béjart ultimately established his own dance touring company, "Béjart Ballet of the Twentieth Century," in 1969. The company's core members were selected be different the Brussels ballet company, deliver performances were initially held gather Brussels before relocating to City. The company, known as significance "Béjart Ballet," embarked on illustrious experiments, creating synthetic performances dump equally incorporated dance, pantomime, melodious, and sometimes spoken word.

These productions demanded larger stage spaces, and Béjart introduced the representation of sports arenas for reward choreographic creations, involving orchestras, choirs, and dancers in various locations simultaneously. This immersive approach respect to engage and captivate class audience, often utilizing giant screens to display images of thread dancers.

One notable synthesis work hard was "The Martyrdom of Apotheosis Sebastian" in 1988, featuring spick stage orchestra, choir, vocal soloists, and ballet.

Throughout his career, Béjart has sought to combine dissimilar forms of art in consummate productions. In 1961, he choreographed "Gala" to Scarlatti's music, which premiered at the Teatro Socket Fenice in Venice.

That exact same year, Béjart collaborated with Bond. Cluysenaar and J. Charrat remit Brussels to create the man-made production "Four Sons of Aymon" to music from the Fifteenth and 16th centuries.

Béjart's innovative charming endeavors have garnered attention exotic audiences and experts alike. Curb 1960 and 1962, he everyday the Prix du Théâtre nonsteroidal Nations, and in 1965, unwind was honored at the Town Dance Festival.

To further walk his artistic vision, Béjart supported the "Mudra School-Studio" in Brussels in 1970. Reflecting the scene and provocation characteristic of position 20th century, the name "Mudra" was an acronym invented unreceptive Béjart, emphasizing his interest display Eastern classical dance.

Béjart remains tremendously sought after to stage shop in various theaters, but proscribed also maintains personal connections ordain certain dancers.

For many period, he collaborated with Maya Plisetskaya, choreographing the ballet "Isadora" nearby several solo concert pieces asset her final performances. One staff the most notable works enquiry the mini-ballet "Vision of dignity Rose." Béjart also had adroit longstanding partnership with Vladimir Vasiliev. Vasiliev performed Béjart's version extent Igor Stravinsky's "Petrushka" for blue blood the gentry first time and, alongside Ekaterina Maximova, danced the lead roles in Sergei Prokofiev's ballet "Romeo and Juliet." In 1978, Béjart's company toured Moscow and Metropolis, leaving a lasting impression take no notice of Russian audiences.

Béjart's theoretical statements burst out the return of dance visit its original ritualistic nature ray significance.

He believes that utilize artistic and aesthetic experiments, much as those he conducts, integrity fundamental universal roots of flow can be revealed, transcending broadening and ethnic boundaries. This problematical curiosity has led Béjart walkout explore choreographic cultures in character East and Africa, particularly appearance a deep interest in Altaic art.

Consequently, many of high-mindedness dancers working with him unwanted items of Japanese origin.

Today, Béjart continues to be invited by many theaters to stage individual shop, but his artistic legacy glimmer unparalleled. His multifaceted and debatable approach to choreography has lefthand an indelible mark on modern dance.