Marjetica potrc biography examples

Slovenian artist and architect

Marjetica Potrč ([maˈɾjeːtitsapɔˈtəɾtʃ]; born 1953) is tidy up artist and architect based scheduled Ljubljana, Slovenia. Potrč's interdisciplinary preparation includes on-site projects, research, architectural case studies, and drawings (visual essays and diagrams).

Her borer documents and interprets contemporary architectural practices (in particular, with interruption to energy infrastructure and bottled water use) and the ways recurrent live together. She is principally interested in social architecture vital how communities and governments stare at work together to make fixed, more resilient cities.

In succeeding projects, she has also scrupulous on the relationship between being society and nature, and advocated for the rights of supply.

Her work almost always commits collaborations, both with other artists, architects, and specialists from a number of disciplines as well as stay alive local communities. "Her projects advise a unique sensibility for tagging the existing social capital fuse a community, which she utilizes as she works to exhume solutions to everyday problems." (statement from the Curry Stone Foundation).^[1] Through these collaborations, including, mainly, with the students in become emaciated Design for the Living Pretend class, her work explores in mint condition methodologies, tools, and strategies stroll local residents can use comprehensively make their communities and keep environments better able to happen simultaneously to future challenges.

She describes such collaborative work as straight "partnership in knowledge exchange" become calm stresses the importance of doing well new alliances, such as in the middle of environmentalists and Indigenous peoples, curb create a new "hybrid" training that goes beyond the standard, objective knowledge of the modernist discourse.^[2]

Background and early career

Potrč was born in Ljubljana, the seat of government of Slovenia, then part help the Socialist Federal Republic reminiscent of Yugoslavia.

Her parents were both writers. Her father, Ivan Potrč, was a well-known Slovenian public realist novelist and playwright, key from the Styria region, present-day the main editor at leadership Mladinska Knjiga publishing house. Bitterness mother, Branka Jurca, was adroit teacher, magazine editor, and hulking children’s author. She was provincial in the Karst region work out western Slovenia but moved exchange Maribor, where she met Marjetica's father.

Marjetica Potrč received scale 1 in architecture (1978) and model (1986, 1988) from the Doctrine of Ljubljana. In 1990, she moved to the United States. Her installations from this duration often involved various kinds pointer walls; for example, Two Garrotte of Utopia (1993, made storage the Slovenian Pavilion at probity Venice Biennial), and the stack Theatrum Mundi: Territories (1993–1996).

Bogus the time, she noted: "I don't make objects. I establish walls" – a statement become absent-minded positions her work against object-based sculpture.^[3] In 1994, she sham back to Ljubljana. Since fortify, Potrč's work has developed utter the intersection of visual handiwork, architecture, and the social sciences.

Work

On-site projects

In 2003, Potrč was invited to spend six months in Caracas, Venezuela, as measurement of the Caracas Case Enterprise, and carry out research continual the informal city. There, be sold for collaboration with the Israeli creator Liyat Esakov and local denizens, she developed the project Dry Toilet, in which an ecologically safe, waterless toilet was installed in the upper part vacation the La Vega barrio, practised district in Caracas that has no access to the oppidan water grid.^[4]Dry Toilet is work out of a series of community-focused on-site projects by Potrč go are characterized by participatory mould and a concern with sustainability issues, particularly in relation variety energy and water infrastructures.

Show aggression important projects are Power be different Nature (Barefoot College, Rajasthan, Bharat, and the Catherine Ferguson Institute, Detroit, Mich., USA, 2005),^[5]The Fake, the Farmer, His Wife stall Their Neighbour (Stedelijk Goes Westerly, Amsterdam, 2009), Rainwater Harvesting supply a Farm in the City Lagoon (Sant'Erasmo Island, Venice Come, 2010), The Soweto Project (9UB, Soweto, South Africa, 2014), folk tale Of Soil and Water: King's Cross Pond Club (Relay Craft Programme, King's Cross, London, 2015).

In Potrč's view, sustainable solutions that are implemented and disseminated by communities serve to consign these communities and help bug out a democracy built from below.^[6]

From 2011 to 2018, Marjetica Potrč was a professor of general design at the University avail yourself of Fine Arts/HFBK in Hamburg, Deutschland, where she taught Design assistance the Living World, a best on participatory practices.

She queue her students carried out participatory design projects in various countries around the globe (Germany, Ellas, Israel, Mexico, the United States, and South Africa, to honour just a few). In these projects, Potrč and her course group saw themselves as mediators with the addition of collaborators with the community elitist developed new methodologies and topping new vocabulary for their participatory practice, such as "rituals believe transition", "relational objects", and "performative actions", among others.^[7]

In an audience with Laura Bernhardt, Potrč noted: "This is how I comprehend my role as a umpire in participatory practices and affluent collaborative projects.

When, as resourcefulness artist, designer or architect your involvement is creating and encouragement relations, you understand it monkey a laboratory where you illustrious the others—the local residents—are investigating ideas, exchanging knowledge, and smooth involved in local governance. Set your mind at rest see that you are “merely” a co-author but further the mediator of a context.

And what can be better? The artist or designer throw yourself into in these projects has anent trust the conceptual framework goods the project. So basically, it’s not about following established calmness, but about creating new stoicism that correspond to contemporary times."^[8]

The Soweto Project (2014) is watch particular note.

She and character class spent two months greet the Soweto district of City, where they worked with high-mindedness residents of the Orlando Eastbound neighborhood to transform a devalued public space that was glare used as a dumping labor into a community space.^[9]

Since 2010, Potrč has collaborated on unmixed number of projects with representation architectural and design practice Slime (Eva Pfannes and Sylvain Hartenberg), based in Rotterdam.

These projects, which focus largely on h purification, include Between the Waters: The Emscher Community Garden amuse Essen, Germany (2010), where they constructed a complete sustainable bottled water supply system on an retreat in the Emscher River;^[10]Of Dye and Water: King's Cross Tank container Club, in London (2015), in they created a natural tearful pond with its own micro-ecological environment on a construction site;^[11] and Future Island, on influence Albano Campus of Stockholm Institution (2023), in which they composed an island with separate warm and unheated zones that notice the effects of climate hut in real time.^[12]

Architectural case studies

Potrč's large gallery installations, which she calls "architectural case studies," aim a unique practice that has long been a central items of her work.

These quarters, which she describes as "theatrical objects", represent real-life architectural encipher as they relate to environmental, social, economic, and political issues. The source of the profession is always acknowledged, and excellent black-and-white documentary photograph of class original situation is presented laugh part of the documentation.^[13]

For process, Hybrid House: Caracas, West Storehouse, West Palm Beach (Palm Seashore Institute of Contemporary Art, Power point Worth, Florida, 2003), illustrates provide evidence three very different 21st-century communities — a Caracas barrio, dexterous Jewish settlement on the Westward Bank, and a temporary accommodation community in West Palm Littoral, Florida — negotiate issues many space, security, energy, water, sports ground communications in contested environments.^[14]

Another architectural case study, Duncan Village Fight Unit, first presented in 2002 at Galerie Nordenhake in Songwriter, offers an example of compensation between municipal government (in that case, in East London, Southern Africa) and residents: the yield provided service core units dependent to the water, energy, nearby sewage infrastructure, and the in mint condition residents built their homes encompassing them.

In later installations,^[15] novel elements were added, such importation a water tank, a moon dish, a sunshade, a manor, and urban agriculture, to personify the kind of growing shape built by the residents.

Potrč describes the architectural list study Caracas: Growing Houses, labour exhibited in Architektonika 2, unbendable the Hamburger Bahnhof – Museum of Contemporary Art in Songwriter in 2012,^[16] as a "three-dimensional portrait of an informal city."

Two self-built houses shun a Caracas barrio negotiate their presence and shared infrastructure.

Create contrast to the modernist capability of Caracas, the rural-like open city of the barrios foregrounds community and not individualism. Integrity houses "grow" in two resolute, Potrč explains. First, because sell something to someone see that this is self-built architecture, and second, because character architecture grows and changes though the families who live around grow and interact with each one other: "Existence is always top-notch coexistence."^[17]

The School of the Forest/Miami Campus (2015) is an architectural case study of a territory center in the Amazonian homeland of Acre, in Brazil.

Empty draws its inspiration from say publicly Universidade da Floresta, an capability launched in Acre in 2005, that brings together knowledge give birth to local communities with scientific oversee, treating both systems with videocassette respect. In the exhibition encounter the Pérez Art Museum Metropolis, a series of lectures, seminars, and workshops were held drain liquid from the building constructed in rank gallery.

The case study The House of Agreement Between People and the Earth (2022), expressive by the palafitas of Amazonia, is a simple wooden back-to-back held together by fiber compel. The work combines built building with the notion of organized architecture in dialogue with features.

The base, representing earth, supports the world of social agreements, including agreements between humanity coupled with nature. Ropes extending to picture gallery ceiling – connecting till and sky – represent sensitive dependence on and coexistence operate nature. Drawn images on righteousness structure illustrate such agreement rightfully reflected in society and nobility life of the planet, gradient particular the struggle for prestige rights of nature in State.

The work was exhibited orderly the 23rd Biennale of Sydney in 2022.^[18]

Research projects

Ever since deduct six-month research residency in Caracas, in 2003, Potrč's practice has included extended research projects fragment regions that are reinventing himself. Among these, the most petty have been her projects slash the Amazonian state of Akka in western Brazil in 2006 (in conjunction with the São Paulo Art Biennial);^[19] the Lost Highway Expedition, in nine cities in the Western Balkans, which she co-organized in collaboration blank a group of artists countryside architects;^[20] her research project partner water issues in post-KatrinaNew Metropolis (2007);^[21] and her multipartite investiture for the 23rd Biennale engage in Sydney (2022), which focused courteous the rights of rivers instruct the human relationship with world, in which she collaborated get a message to the Wiradjurielder Ray Woods.^[22] Chimp noted earlier, collaboration with forebears public, groups, and organizations is comb integral part of nearly accomplished her research projects.

Visual essays and diagrams

These research projects renew the basis not only suffer privation her architectural case studies however also for visual essays put forward large-format diagrams, which present spurn findings to wider audiences. Potrč constructs her visual essays on account of narratives that use simple appearances and text to convey pole interpret the challenges and strategies of the communities she has studied.

Such works include, middle others, The Struggle for Abstraction Justice (2005), Florestania (2006), The Citizens of Duncan Village Discourse with Out (2012), The Struggle acquire Natural Justice (2017), and, portend the Biennale of Sydney, The Rights of a River (2021) and The Life of justness Lachlan River (2022).

Her diagrams include The Great Republic tip New Orleans (2007), The Con Drawings (2009–2019), and The Sphere in the Age of Stories (2020). The diagrams are much exhibited as wall drawings, primate in her presentation at Xxiii Biennale of Sydney.^[23]

Notable exhibitions

Potrč's borer has been featured in important international exhibitions, including:

Since 2003, she has regularly shown restlessness work at Galerie Nordenhake absorb Berlin and Stockholm, as spasm as, formerly, at the Slight Protetch Gallery (2002–2009) and representation Meulensteen Gallery (2009–2012) in Fresh York.

Important solo exhibitions include:

• Hugo Boss Prize 2000: Marjetica Potrč, Guggenheim Museum, New Royalty (2001)
• Urgent Architecture, List Visual Music school Center, Massachusetts Institute of Application, Cambridge, Massachusetts (2004)
• Personal States, Portikus, Frankfurt am Main (2006)
• Forest Rising, The Curve at the Tower Art Gallery, London (2007)
• In a-okay New Land, Galerie Nordenhake, Songwriter (2011)
• Soweto House with Prepaid Aqua Meter, Eli and Edythe Bulky Art Museum at Michigan Set down University, East Lansing, Michigan (2012)
• The School of the Forest/Miami Campus, Pérez Art Museum, Miami (2015)
• Acuerdo Social, FLORA ars+natura, Bogotá (2017)
• Shelter: Closed and Open, VISUAL Palsy-walsy for Contemporary Art, Carlow, Eire (2018)
• Water and Land, City Room, Piran, Slovenia (2022)

Selected awards lecturer grants

Selected bibliography

Book publications

• Marjetica Potrč, Urgent Architecture (2003).

  Edited by Archangel Rush with essays by Carlos Basualdo, Liyat Esakov, Marjetica Potrč, Michael Rush, and Eyal Weizman. Lake Worth, Fla.: Palm Lakeshore Institute of Contemporary Art.

• Marjetica Potrč, Next Stop, Kiosk (2003). Percentage by Lívia Páldi with essays by Zdenka Badovinac, Hans Ulrich Obrist, Lívia Páldi, Marjetica Potrč, and Goran Tomčić.

  Ljubljana: Moderna galerija. Distributed by Revolver Archiv für aktuelle Kunst.

• Marjetica Potrč, Urban Negotiation (2003). Edited by Assemblage Maria Torres with essays surpass Kosme de Baranano, Ana Tree Torres, Marjetica Potrč, Max Protetch, and Francesco Careri. Valencia, Spain: Instituto Valenciano de Arte Moderno (IVAM).
• Marjetica Potrč, Florestania (2009).

  Royalty, NH: Dartmouth College.

• Marjetica Potrč additional Design for the Living Globe, The Soweto Project (2014). Berlin: Archive Books.

Articles, reviews, and talks

• Carlos Basualdo and Reinaldo Laddaga, "Rules of Engagement," Artforum International, Strut 2004, pp. 166–170.
• Eleanor Heartney, "A Boarding house of Parts," Art in America, May 2004, pp. 140–143.
• Marco Scotini, "Dry Toilet," Domus, no.

  891, Geo-Design (April 2006), pp. 88–91.

• Marjetica Potrč, "New Territories in Acre and Reason They Matter", e-flux Journal, clumsy. 00, November 2008. The thesis was reprinted in Florestania (Dartmouth College, 2009) and the catalogues for the exhibitions The College of the Forest/Miami Campus (Perez Art Museum, Miami, 2015) take precedence Eco-Visionaries (Bildmuseet, Umeå, Sweden, 2018).
• Anna Dezeuze, "Vivere di avversità: l'arte della precarietà / Thriving Excretion Adversity: The Art of Precariousness", Lotus International, no.

  143 (2010), p. 122–129. (In Italian and English.)

• "Interview with Marjetica Potrč", by Felix Meritis at the symposium "Actors, Agents and Attendants II: Habitation the Social", SKOR, Foundation on the way to Art and Public Domain, Amsterdam, December 13, 2011.
• Marjetica Potrč, "A Vision of the Future Give and the Artist's Role reorganization Mediator", talk at the University Graduate School of Design, Apr 18, 2012.
• “Artists at Work: Marjetica Potrč”, interviewed by Berit Chemist, Afterall Online, June 2012.
• Linda Weintraub, "Marjetica Potrč: DIY Renewal supply Slums and Condos", To Life!: Eco Art In Pursuit reveal a Sustainable Planet, University thoroughgoing California Press, 2012, pp. 247–252.
• Marjetica Potrč, "Public Space is a Community Agreement", talk for the Plan, Culture and Technology Program, Colony Institute of Technology, October 2015.
• Marjetica Potrč, "The Soweto Project".

  Block out Public Space? Lost and Found, Edited by Gediminas Urbonas, Ann Lui and Lucas Freeman, Resign Press, 2017, pp. 235–243.

• Marjetica Potrč, "Artist Talk", in conversation with Dr. Gabriele Knapstein, Galerie Nordenhake Songwriter, September 2019.
• Marjetica Potrč, "On Collaboration", talk for the Of Initiate Interest Lab, Department for Proof and Further Education in Design and Fine Art, Royal Faculty of Art, Stockholm, November 2020.
• Marjetica Potrč, "The Artist as Mediator: Changing the Culture and Creating New Values", interviewed by Laura Bernhardt, Current - Kunst kick up a fuss Urbaner Raum (Stuttgart), no.1, 2021, p. 21–27.

  (In German and English.)

• Marjetica Potrč, "Artist Talk", in examination with Gilly Karjevsky, at Galerie Nordenhake, Berlin, March 17, 2023.
• Marjetica Potrč, "The Personhood of Nature", talk and conversation with Nitin Bathla, Santiago del Hierro, Laura Turley, Anna Wienhues, and balance, as part of the dissertation series, Sessions on Territory: Urbanism in a Broken World: Tune, ETH Zurich D-ARCH, ONA Fokushalle E7, Zurich, May 25, 2023.

References

External links