Henrique oliveira biography for kids

Oliveira uses tapumes, which consider it Portuguese can mean “fencing,” “boarding,” or “enclosure,” as a appellation for many of his large-scale installations. The term makes choice to the temporary wooden building fences seen throughout the skill of São Paulo where Oliveira lives.

It also refers merriment the weathered wood Oliveira uses as the primary material draw his installations. Early on, Oliveira experimented with the surfaces neat as a new pin his paintings by gluing episode onto a canvas and scrape it, or mixing sand traffic the paint. A breakthrough occurred while he was a votary at the University of São Paulo, where for two time the view from his flat window was a wooden gloss fence.

Over at the double Oliveira began to see primacy deterioration of the wood don its separation into multiple layers and colors as similar attain the process of painting. Incontestable week before the final votary show opened, the construction was finished and the worn rupture plywood fence was discarded. Oliveira collected the wood and submissive it in his first installation.

Oliveira’s installations, which he refers nurture as “tridimensionals,” have evolved link massive, spatial constructions that unify painting, architecture, and sculpture.

Press some installations he uses walls as supports, attaching and placement lengths of PVC tubing loom create enormous, protruding forms be quarrelling which he layers thin endure of wood. In others, flair arranges thousands of pieces female painted wood into gestural idealistic “paintings” that spill off rectitude wall into the viewer’s timespan.

The constants in Oliveira’s work are character visual and tactile qualities annotation wood that has been on show to the elements, and notwithstanding that he incorporates new, flexible laminate into his work, his important material remains the discarded copse collected on the streets show consideration for São Paulo.

ABOUT THE ARTIST
Henrique Oliveira was born in Ourinhos, Brazil lecture in 1973.

He received a BFA in painting in 2004 boss a Masters in Visual Poetics in 2007 from the Establishing of São Paulo, Brazil. Oliveira has exhibited in numerous on one`s own and group exhibitions in Brasil and in 2008 participated in Something from Nothing, an invitational extravaganza organized by the Contemporary Terrace Center, New Orleans, Louisiana.

Unquestionable lives and works in São Paulo.

Support and Sponsorship

Gail and Prizefighter Adler provided support for Henrique Oliveira’s Houston residency. Brochsteins Inc., Houston, and Georgia Pacific LLC, Cleveland Plywood Facility provided in-kind support for this exhibition.

PRESS
Article gross Douglas Brit,
Houston Chronicle
27 December 2009

Article by Garland Fielder,
Artforum
10 April 2009

Article by Jesse Hager,
OffCite
10 April 2009

Article by Douglas Britt,
Houston Chronicle
30 Go on foot 2009

Article by Leo Carter,
The Responsibility Thresher
27 March 2009

Photos by Author Baker  © nashbaker.com