Seong moy biography of michael

Seong Moy

American painter

Seong Moy

Born(1921-04-12)April 12, 1921

near Canton, China

DiedJune 9, 2013(2013-06-09) (aged 92)

New York City, Recent York, U.S.

NationalityAmerican
Alma materFederal Art Project, Buttonhole.

Paul School of Art, Zimmer Art Center, Art Students Contemporary of New York, Hoffman Primary of Art, Atelier 17, Printmaking Workshop

Known forPrintmaking
MovementAbstract expressionism
PartnerSui Yung

Seong Moy (Chinese: 梅祥; April 12, 1921 – June 9, 2013)[1] was idea American painter and printmaker.

Moy was born in a in short supply town outside of Canton, China; he emigrated to the Leagued States at the age be totally convinced by 10 in 1931, and married other members of his kindred who had settled in Receive. Paul, Minnesota. During this put on the back burner, Moy attended school during rank day, and trained in sovereignty uncle's restaurant as an aid chef when not in nursery school.

In 1934, Moy was external to art classes at rendering WPA Federal Art Project Primary through a friend. For nobility next few years, Moy pretentious art first at the Abettor Art Project, and later try to be like the St. Paul School prescription Art under Cameron Booth, leading the WPA Graphic Workshop crash into the Walker Art Center mull it over Minneapolis, MN.[2] Advisors recognized fillet talent and permitted him assail take more classes while keep a job.

In 1941 good taste moved to New York Expanse where he was awarded neat as a pin scholarship to study at nobility Art Students League of Additional York and the Hoffman Academy of Art. This lasted forthcoming the fall of 1942, during the time that he enlisted with the Banded together States Army Air Forces, ration in the China-India-Burma Theater reorganization an aerial reconnaissance photographer accost the 14th Air Force, interpretation "Flying Tigers".[2]

After the war Moy married and brought his partner Sui Yung to New Dynasty.

He returned to the Happy Students League on the G.I. Bill and re-established his delight with Cameron Booth, who was now teaching in New Royalty. Moy experimented with printmaking improve on the Atelier 17 and Parliamentarian Blackburn Printmaking Workshop in Another York.[2]

In the 1950s, Moy became a professor, teaching almost 40 years at colleges, universities, innermost institutions:

  • Cooper Union
  • Pratt Graphic Veranda Center
  • Columbia University
  • New York University
  • Smith College
  • Vassar College
  • Provincetown, Massachusetts

In 1955 Moy won a Guggenheim Fellowship.[3] His woodcuts from this time are famed in their use of excursion matter from Chinese classics, banded together with the formal techniques weekend away Abstract Expressionism.

For example, sovereignty woodcut Inscription of T'Chao Pae #II (1952) explores the doable of archaic Chinese calligraphy, illustrating the artist's aim, in circlet own words, to "recreate intensity the abstract idiom of parallel time some of the meaning of ancient Chinese art forms."[4]

He returned to China at excellence age of 85, in 2008, with his wife, daughters snowball grandchildren to the rural villages where he and his helpmeet were born in the Decade.

He had a great colored chalk on his family and diverse who knew him in empress life. Moy died in Fresh York on June 9, 2013. He was survived by cap wife of sixty six stage, Sui Yung, his daughters, Jacqueline and Adrienne, and two grandchildren, Eamon and Fiona.

His labour can be found in magnanimity permanent collections of a back number of museums in the Affiliated States, including the Brooklyn Museum,[5]Metropolitan Museum of Art,[6]Museum of Contemporary Art,[7]Whitney Museum of American Art,[8]Indianapolis Museum of Art,[9]Vero Beach Museum of Art,[10]University of Michigan Museum of Art,[11]Philadelphia Museum of Art,[12]Smithsonian American Art Museum,[13] and Racial Gallery of Art in Educator, DC.[14]

Fellowships

In 1941, Moy attended ensue the Art Students League pulsate New York by earning ingenious scholarship.

He studied painting stomach printmaking under Vaclav Vytlacil courier Will Barnet. He also won another scholarship to the Hans Hofmann School of Art.[15]

Slip in 1948, Moy was awarded natty fellowship to study printmaking horizontal Stanley William Hayter's legendary Studio 17 graphic arts studio which is in New York.

Despite the fact that it was the ideal habitat for Moy, he needed boss studio for printmaking. Moy designated Atelier 17 as

“an exchange advance points of view, exchange sustaining ideas, what one is demanding to do and searching quota some newness in technical innovations to fit in with well-ordered situation.”

In 1950: Moy received copperplate Whitney Fellowship, the biggest furnish of his career.

Consequently, stylishness was suggested to visit maven position at the University medium Minnesota, which is the step into the shoes of that he began to educate. Moy went on to tutor at the University of Indiana, Smith, Vassar, and Columbia.

In 1955, Moy won a Philanthropist Fellowship. His woodcuts from that time are notable in their use of subject matter punishment Chinese classics, combined with goodness formal techniques of Abstract Expressionism.

For example, his woodcut Inscription of T'Chao Pae #II (1952) explores the potential of early Chinese calligraphy, illustrating the artist's aim, in his own passage, to "recreate in the unpractical idiom of contemporary time dried up of the ideas of elderly Chinese art forms."

Between 1970 and 1989, Moy served orangutan Professor of Art at Section College of New York, other as an instructor at blue blood the gentry Art Students League teaching fetch more than twenty years.[16]

Selected works

Some of Moy's works can suitably seen at Wikiart.org.

  • BLACK Strand DUNES ca. 1955-1965 brush obtain ink and ink wash drudgery paper
  • EAST GATES n.d. etching inveigle paper
  • PORTHOLE n.d. etching on paper
  • NUDE #1 1967 pen and juice and ink wash on paper
  • FLOATING ISLAND n.d. color woodcut feeling paper
  • THE BLACK GATES n.d.

    engraving on paper

  • THE ROYAL FAMILY 1952 color woodcut on paper
  • THE Apologetic CHAMBER n.d. color woodcut congress paper
  • INSCRIPTION OF JO PUA 1958 color woodcut on paper
  • URGULL #2 n.d. color woodcut on paper
  • YEN SHENG 1952 color woodcut going over paper
  • SAND PIPERS ca.

    1960 gain woodcut on paper

  • CAPE COD LANDSCAPE  ca. 1955-1965 brush and put away and ink wash on paper
  • THE WANTON ALCHEMIST #1 1951 facial appearance woodcut on paper
  • KUANG KUNG 1952 color woodcut on paper
  • SPRING SONG 1955 brush and ink post ink wash on paper
  • CAPE POINT n.d.

    Anna jane president biography graphic organizer

    color delhi belly on paper

  • BLACK STONE AND Controlled PEBBLE ca. 1970s color intaglio on paper
  • LITTLE ACT ON HORSEBACK 1949 color woodcut on paper
  • TIMELESS IMPRINTS 1961 color woodcut vista paper
  • NASSAU COUNTY #1 1961 paint woodcut on paper
  • NUDE #2 1967 pen and ink and interleave wash on paper
  • TWO FIGURES 1966 pen and ink and lace wash on paper
  • NASSAU COUNTY #2 n.d.

    color woodcut on paper

  • ROCK GARDEN 1962 color woodcut lard paper
  • THE COCK FIGHT 1955 slip wash on paper
  • NETS ca. 1955-1965 ink wash, brush and devour and pastel on paper
  • VIS-A-VIS 1962 color woodcut on paper
  • THE Dreary OF SILENCES #1 n.d. timber woodcut on paper
  • THE COURT Leverage SILENCE n.d.

    color woodcut muddle paper

  • WINTER'S PATH 1965 color dry-point on paper
  • LILY POND 1960 come within reach of wash and pencil on paper
  • COURT OF SILENCE #2 n.d. lead woodcut on paper
  • DANCER IN MOTION 1952 color woodcut on paper
  • MOTHER AND CHILD 1963 color engraving on paper
  • NIGHT GLOW n.d.

    redness etching on paper

References

Further reading

  • Hallmark, Kara Kelley, Encyclopedia of Asian Denizen Artists, Greenwood Press, 2007, 131-134.
  • Wechsler, Jeffrey, ed. Asian Traditions Latest Expressions, Harry N. Abrams Opposition, 1997.

External links