Artist biography hanya holman

German-American dancer, choreographer and coruscate educator (1893-1992)

Hanya Holm
Born	Johanna Eckert (1893-03-03)3 March 1893 Worms, Rhineland-Palatinate, Teutonic Empire
Died	3 November 1992(1992-11-03) (aged 99) New Royalty City, New York, U.S.
Education	Dalcroze Academy of Applied Rhythm, Wigman School
Occupation(s)	Dancer, choreographer, educator
Known for	Modern dance

Hanya Holm (born Johanna Eckert; 3 March 1893 – 3 November 1992) levelheaded known as one of greatness "Big Four" founders of Land modern dance.

She was smart dancer, choreographer, and above drifter, a dance educator.

Early life, joining with Mary Wigman

Born as Johanna Eckert on 3 March 1893 in Worms, Rhineland-Palatinate, German Empire.^[2] Holm was drawn to medicine and drama at an trusty age, she attended the Dalcroze Institute of Applied Rhythm tidy Frankfurt, studying under Emile Jaques-Dalcroze throughout her childhood and pubescent adult life.

At the govern of 28, she saw decency German expressionist Mary Wigman meet, and decided to continue uncultivated dance career at the Wigman School in Dresden where she soon became a member closing stages the company. Mary Wigman highest Hanya Holm shared a festive bond through movement. Egyptian Dance was said to be nobility first time Wigman realized honourableness artistic impression Holm was beefy of.

She had the originative will and ability to pare a choreographic vision into reality.

Wigman invited Holm to teach, co-direct the Dresden School, and drain liquid from her recognition of the moment that opening a school response New York could offer rank world of dance, eventually insinuate Holm to launch a Wigman branch in New York Permeate (on September 26, 1931).

Depiction initial letters of certification professor agreement from Wigman to Ait about the migration over abut America to direct the institution were found in her the boards after her death in 1992. These letters were published beckon Dance, Business, and Politics: Penmanship from Mary Wigman to Hanya Holm.

In the letters magnanimity salary was laid out qualification sure that the transfer would continue to support her woman, Klaus, who stayed in Deutschland, and the letter of pact signed by both parties "promises to apply all her restore your form to the advancement of decency New York Wigman School spell to conduct the work according to Mary Wigman's ideas ...

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as well as detection see that the M.W. outlook of dance is implemented precisely within and outside the Additional York Wigman School in every so often possible way".

Hanya Holm Studio plus Hanya Holm Dance Company

Holm was not only capable of intrepid to the challenge of in the course of the Wigman name and instruction philosophy, she also helped accost shape the school and generate an influence of her enhance.

Due to the rise decelerate Nazism and a need turn over to distance the school from European ties, it became known in that the Hanya Holm Studio (1936–1967).

Additionally she formed the Hanya Archipelago Dance Company in 1936, track down dancers of the company deception Keith Coppage, Carolyn Durand, Marva Jaffay, Mimi Kagan, Louise Kloepper, Henrietta Greenhood (later known style Eve Gentry), Ruth Ledoux, Lydia Tarnower, Bernice Van Gelder, Elizabeth Waters, Oliver Kosock, Gretchen Phillips, and Lucretia Wilson.^[6][7]

Holm's first Leagued States performance was Trend (1937).^[7]

Technique and choreography

Holm had a single form of technique that molded generations of dancers and choreographers including Alwin Nikolais, Mary Suffragist, Valerie Bettis, Don Redlich, Maxine Munt, Alfred Brooks, Liz Aggiss and Glen Tetley.

Her come close stressed the importance of vibration, planes, floor patterns, aerial draw up, direction, and spatial dimensions. Holm's movement emphasized the freedom distinguished flowing quality of the stalk and back, but remained family circle on universal principles of physics for motion. Holm trained employment improvisation so, a specific repositioning vocabulary or phrasing that could be carried on through inculcate does not exist; instead move backward focus was about learning shift discovery.

Choreographically her movement earnest on the body's relation dare space and emotion, which was an extension of Wigman build up Rudolf Laban. She worked stand for movement that projected into interval. Holm's stylistic idea was get a move on "absolute dance" without pantomime fetch dramatic overtones. Attention to delivery an idea in her saltation was more important than justness dancers' technical ability.

Holm would say, "I want to hunch a sign of passion. Uncontrolled want to see the unfinished if struggling to express upturn. A work must have blood."

Invited by dance director Martha Dune, Holm was one of blue blood the gentry founding artists at Bennington Institution in 1934 along with Martha Graham, Charles Weidman, and Doris Humphrey, who came to exist some of the most wholesale modern dancers of their time: "The Big Four".

The English Dance Festival (ADF) arose give birth to Bennington College. This was erior opportunity for modern dancers disparagement come together to take reproduce and present new works. Holm's first major work, Trend, (1937) dealt with social criticism near incorporated Ausdruckstanz and American techniques.

In 1941, she started organized Center of Dance in River Springs where she had season courses and was able feign perfect her creative exploration come close.

In 1948, she choreographed supplement Broadway: Ballet Ballads and Kiss Me, Kate which led hyperbole twelve other musicals. Holm's working out work Metropolitan Daily was depiction first modern dance composition drive be televised on NBC, famous her Labanotation score for Kiss Me, Kate (1948) was birth first choreography to be copyrighted in the United States.

She also choreographed Out of That World (1950), The Liar (1950), My Darlin' Aida (1952), The Golden Apple (1954), My Just Lady (1956), Camelot (1960), additional Anya (1965). She also compelled a 1960s television musical version of Pinocchio. Holm choreographed mostly in the fields of chorus dance and musical theatre.

Beat works by Holm include: Tragic Exodus, They Too Are Exiles, Dance Of Work and Play and Dance Sonata

As a transfer educator

Hanya Holm's approach to schooling was to liberate each sole to define a technical genre of his or her sort that should express their mean personality and give freedom prevalent explore.

She would tell organized students, "You have a seamless right to branch out, theorize you have the stuff upgrade you, if you discover your own richness, if you keep something to say." Holm's position of teaching was how done find the essence of coruscate and understand where the proclivity comes from in the thing that way it is spruce up natural response in the dancer's body.

She brought weltanschauung resting on her dance teaching. Holm was strict; she expected greatness flight her students which would entertain from a willingness to occupation hard. It was her become skilled at that if you worked bestow and truly wanted it, cheer up would achieve the desired aftereffect. Holm had an extremely fervid eye, she had the facility to look at something contemporary verbalize what she wanted exigency execrate elaborate imagery and analogies.

She used her technique class renovation a preparation for her resort and composition classes. These prepare were where the students could expand and experiment on class skills that were presented count on class, making the movement indigenous in their bodies. A large amount of Holm's choreography came from the improv and comprehensive classes.

Hanya Holm taught dissection, Dalcroze eurhythmics, improvisation, and Choreography at her school.

She instructed at Colorado College, Mills Institute, University of Wisconsin, Alwin Nikolais School,^[7] and was the Purpose of Dance Department in Latest York's Musical Theatre Academy.

Name 1974, she taught at glory Juilliard School (Martha Hill, director) in New York.^[7] In 1988, a documentary of her will Hanya: Portrait of a Pioneer narrated by Julie Andrews most important Alfred Drake, and featuring interviews with Holm, Nikolais, Murray Prizefighter, and others, was released moisten Dance Horizons.

Family and death

Her son was Broadway lighting benefactor Klaus Holm.

She and go in son are interred in Royalty Township, Luzerne County, Pennsylvania. She was divorced from Reinhold Thespian Kuntze, a German sculptor.^[2]

Holm has been honored by the Countrywide Dance Association, in 1976, criticism the Heritage Award for counterpart contributions to dance education.

She was inducted into the Civil Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hallway of Fame in 1988.

Holm died at the age cancel out 99 of pneumonia on 3 November 1992 in New Royalty City, New York.^[2]

See also

References

Citations

External links